environment as psychopathological symbolism in the yellow

John often goes away for a work and even when he visits, there is minimal physical contact between him and Jane. The reader comes to know that the narrator now accepts that she is the women formerly imprisoned behind the wallpaper. Moreover, it can be said that Gilman or the narrator is deliberately trying to create this confusion about where is she and who she is. John blatantly ignores any suggestions she may have concerning her own health, appearing heartless and cold. She struggles for her independence and creative experience which she finds behind the wallpaper. If this is the case, both could be identified as of no particular importance to the audience.

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There are many times he overlooks her feelings or statements. Based on the mockery provided by the narrator, John does not truly understand what Jane needs, considering he, like everyone else involved, does not view women as people capable of reasoning and complex feelings.

We’ll occasionally send you account related and promo emails. Gilman grounded the plot on her own experience of depression and therapy. Response to Carol Neely and Karen Ford. At this point her anger is apparent.

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By the end of the story, fall is arriving and she is no longer obedient to John. Studying the wallpaper becomes a sort of game for the narrator and she does not want to leave the mansion. There is also attention to be paid to the bars described in the wallpaper. She is giving a realist account of the society which values the productive and practical and rejects imagination as nonsense. The creeping feeling Jane experiences concerning the wallpaper symbolizes the mental instability she feels looming over her.


Through the story Gilman critiques the patriarchal institution of marriage which reduces a woman to a victim of the household. During this time women were commonly admitted into the care of doctors by their husbands without their given consent.

You can get this essay on your email Topic: This is where she begins her independence as a human being. Naturally Psychopathologiccal did not listen to her protests.

peychopathological Gilman does an extraordinary job of displaying the horrors that resulted from this complex and delicate subject. As John comes to check on her, she tells him that he must retrieve the key and unlock the door himself. She is comparable to a child throwing a tantrum. This statement supports the notion that Gilman believed that both men and women should share all household responsibilities, including working and ywllow children.

The more domesticated a woman was, the more she was accepted. The bars are keeping her from escaping the nursery, her child-like oppression.

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Environmejt is not a loving husband, he keeps Jane dependent on him. At this time, many believed that mental illnesses were of the brain, rather than emotional concerns. Later, Mitchell in an interview announced that not only had he read the story, but also changed his treatment for nervous depression patients.


It leaves this image imprinted of a crazy lady taking a bite out of a psychopathologiczl and creeping around her husband. Often when a woman needed or wanted something, she had no other choice but to acquire the assistance of her husband. John is unimaginative, obsessively rational and unable to express his feelings but Jane is. This is something similar to what Jane wants to do.

She does what she is told. I sometimes fancy that in my condition, if I had less opposition and more society and stimulus…. Gilman allows the audience a glimpse at the symbolism of the wallpaper at this point. At first, she is uncertain of her own being, acting and thinking as she has been taught by society. She is still creeping, still locked in the room with a rope around her waist.

She said I slept a good deal psychoppathological the daytime. It is a secret knowledge of the domestic that subverts the patriarchal control of information and power.

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